Paris in the spring
May 9th, 2008If you're new here, you may want to subscribe to my RSS feed. Thanks for visiting!

In all the times I’ve been to Paris (and there are many) I’ve never actually been in the spring - arguably the classic time to visit. So, it was a bit of a first for both of us.
It looked for a while like things were going to be dodgy weather-wise, and we even packed scarves and gloves, but in the end it was hot and sunny every day and we tanned to the point of peeling.

Notre Dame in the sun
So what did we do? Well, it was Rich’s first time in the city, so we did the regular sites, walking between them rather than taking the metro as they’re all so close together.
The Tower was on the list, of course, and we chose to take the stairs rather than the lift. You can only go to the second level when you do that, but it was still 700 steps up, plus another 18 to get to the upper second tier. You don’t see quite so far from there, of course, but the guidebook assured us the view was actually better than it is from the top. Looking back at pictures I took last time around from the third floor, I’m inclined to agree.

The Eiffel Tower
We went to Versailles, which I’d always ruled because I assumed it was too far out of the city. Turns out it isn’t; it’s a 20 minute ride on the RER from Austerlitz, and when we got there the gardens were free to enter (the chateau itself was closed, but neither of us was all that bothered about going in - we just wanted to get out of the city centre for a few hours).
The grounds are huge, extending for hundreds of acres and filled with statues and sculptures. The contrast between this and the way the general population would have been living at the time of the revolution must have been stark, and you can see why the royals were dragged back to Paris from there to have their heads lopped off. It’s ironic, though, that they then continued to spend a fortune on the place to keep it looking good.

Statue at Versailles
We spent a relaxing afternoon walking among the grand tombs in Pere Lachaise cemetery, which had far less recognisably famous corpses in it than I remembered. Now that they’ve cleaned up and fenced-off Jim Morrisson’s grave (which has its own security guard) the new focus of graffiti seems to be Oscar Wilde’s grand Egyptian-styled resting place, which is now covered in waxy red lipstick kisses.

Pere Lachaise cemetery
We toyed with the idea of renting a couple of the Velib bikes that are now almost as common as cars on the city streets, but ultimately chickened out. We didn’t fancy the idea of being squashed flat by the Arch de Triomphe.
Still, it was good to see them used so frequently, and it would be great to see something along similar lines in London, particularly as the first half hour of use is free. As the racks for picking them up and dropping them off are all so close together it means you could transport yourself around the city all day long without ever paying a bean, so long as you checked it in again every 28 minutes or so.

Free-to-use (for the first half hour, at least) Velib bikes
We went to the first night of Kylie’s 2008 tour, at Bercy, just south of the river. It was a fantastic show, massively stripped down from the flamboyance of earlier performances. Feathers, sequins and grand sets were out. A simple lit stage, long dresses and lots of Kylie singing on her own were the order of the day. She started fashionably (45 minutes) late, but nobody seemed to care, and went on for over two and a half hours. We eventually left the venue with ringing ears just five minutes before midnight.

Tiny Minogue
But mostly we just enjoyed being in Paris, enjoyed the sun, enjoyed wearing our shorts again, enjoyed eating cheap set menus in the Latin Quarter and enjoyed dodging the Gayelord Minceurs and the strangely bestial adverts for Orangina.


Paris in the spring. Highly recommended.
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paris, versailles, france, kylie, kylie+minogue

So it seems a little disingenuous for the back-cover to describe this book as a ‘biography’. Sure, it tells us a little about who the man was, but at the same time it tells us far more about who he was not.












It’s basically the story of a guy suspended from a balloon who floats around a mythical, magical world meeting lots of strange characters. That’s what you see on stage, anyway. What you’re not told - unless you read the programme - is that it’s an allegory. He is a regular, everyday guy who, like the rest of us, has great pressures on his time. And so he retreats into a fantasy, which is where we join him on stage.

