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There is perhaps an air of familiarity here for anyone who has already seen Amelie. Whether it’s the soundtrack, which borrows directly from that tale of a young French woman doing good in Montmartre, or the similar structure, which starts out with a not entirely relevant exposition before getting to the meat of the story is unclear. Either way, you’re overcome by a distinct sense of d

This entry was posted on Monday, October 31st, 2005 at 9:50 pm and is filed under Europe, Media. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.